Gufram srl
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For over fifty years, Gufram has been producing iconic pieces that challenge design stereotypes. Collaborating with artists and designers, it influenced the design landscape globally also entering the collections of international museums.
Bocca, Studio 65, 1970
Pratone, Giorgio Ceretti, Pietro Derossi, Riccardo Rosso, 1971
Cactus, Guido Drocco, Franco Mello, 1972
Capitello, Studio 65, 1971
Attica, Attica TL, Studio 65, 1972
Autumntime, Summertime, Valerio Berruti, 2013
Massolo, Piero Gilardi, 1974
Sassi, Piero Gilardi, 1968
Globe, Studio Job, 2014
MAgriTTA, Sebastian Matta, 1970
La Cova, Gianni Ruffi, 1973
Baby-Lonia, Studio 65, 1973
Designed by Guido Drocco and Franco Mello in 1972, CACTUS® has revolutionized domestic landscapes and creative interiors alike.
The CAPITELLO lounge chair, ATTICA armchair, and ATTICA TL coffee table by Studio 65 are designed by “deconstructing” a traditional Grecian column.
From the historic PRATONE® to the emblematic CACTUS®, from the sultry BOCCA® and the memorable CAPITELLO to the mysterious BROKEN MIRROR, Guframini offers aficionados a chance to own a slice of Ita
PUFFO, originally designed in 1970 by Ceretti, Derossi and Rosso, is inspired by the famous traffic-blocking "panettone" typical of Milanese urban planning.
STEAM TABLE is a small table that challenges traditional concepts of perception and proportion.
From the historic PRATONE® to the emblematic CACTUS® to the sultry BOCCA® and the memorable MAgriTTA and CAPITELLO, Guframini offers aficionados a chance to own a slice of Italian design history in
Challenging the conventional perception of mirrors, the BROKEN MIRROR by Gufram and Snarkitecture is a mesmerizing work of art, combining a reflective surface with a soft polyurethane frame to crea
Experience the infinite allure of BOCCA® Unlimited, the latest interpretation of the legendary BOCCA® by Studio 65.
Designed in 1968 by Piero Gilardi, SASSI introduce elements of the great outdoors into living space in the form of remarkably realistic “stones” of varying sizes.
MANO by Cinzia Ruggeri: an open hand standing on itself, to be interpreted as an intimidation to stop, an informal salute; or, if placed horizontally, as a tentacular chair.
